Prof. Lionel March "Palladioʼs Palazzo Della Torre"

Duration: 51 mins 4 secs

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Description:	Abstract: Rudolf Wittkowerʼs Architectural Principles in the Age of Humanism (1949) became a landmark work in proportional practices in the 15-16th centuries, particularly the writings and works of Alberti (1404-1472) and Palladio (1508-1580). Alberti was known for his mathematical abilities. It is odd that his most revealing comment on proportions appropriate for building tends to be ignored in favor of his rehearsal of music theory. In a significant section on proportion, he remarks on the appropriateness of geometric measures, especially the correspondentae innatae of the cube. Alberti encourages the use of radices et potentae such as square roots, cube roots, squares and cubes. Palladio, too, was cited by a contemporary as having “much inclination for mathematics”. An analysis of the Palazzo Della Torre shows that Palladio made masterly use of the cubeʼs correspondentae innatae. He invoked the classical Delian problem involving the cube root of two. Palladioʼs room proportions in length, breadth and height bear remarkable parallels with trends towards equal temperament in the music world at the time. Biography: Lionel March is a Visiting Scholar at the Martin Centre. He is Emeritus Professor of Design and Computation and Member, Centre for Medieval and Renaissance Studies, University of California, Los Angeles. Most recently, he co-edited The Mathematical Works of Leon Battista Alberti, Birkhäuser, 2010, with Kim Williams and Stephen R. Wassell.

Description:

Abstract: Rudolf Wittkowerʼs Architectural Principles in the Age of Humanism (1949) became a landmark work in proportional practices in the 15-16th centuries, particularly the writings and works of Alberti (1404-1472) and Palladio (1508-1580). Alberti was known for his mathematical abilities. It is odd that his most revealing comment on proportions appropriate for building tends to be ignored in favor of his rehearsal of music theory. In a significant section on proportion, he remarks on the appropriateness of geometric measures, especially the correspondentae innatae of the cube. Alberti encourages the use of radices et potentae such as square roots, cube roots, squares and cubes. Palladio, too, was cited by a contemporary as having “much inclination for mathematics”. An analysis of the Palazzo Della Torre shows that Palladio made masterly use of the cubeʼs correspondentae innatae. He invoked the classical Delian problem involving the cube root of two. Palladioʼs room proportions in length, breadth and height bear remarkable parallels with trends towards equal temperament in the music world at the time.

Biography: Lionel March is a Visiting Scholar at the Martin Centre. He is Emeritus Professor of Design and Computation and Member, Centre for Medieval and Renaissance Studies, University of California, Los Angeles. Most recently, he co-edited The Mathematical Works of Leon Battista Alberti, Birkhäuser, 2010, with Kim Williams and Stephen R. Wassell.


Created:	2012-04-24 17:51
Collection:	Martin Centre Research Seminar Series - 2012 Lent Term Martin Centre Research Seminar Series
Publisher:	University of Cambridge
Copyright:	L.March - Martin Centre
Language:	eng (English)

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